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🥁 Elevate your rhythm with pro-grade precision and durability!
The Evans dB Rock Pack features ShockWeave Mesh combined with Kinetic Transfer Foam technology for superior sound transfer and durability. Reinforced impact patches enhance attack and articulation while maintaining a natural acoustic feel. This complete 5-piece set (10", 12", 16" toms, 14" snare, 22" bass) is engineered and made in the USA, delivering professional-grade performance and reliability.
Body Material | Bass Wood |
Material Type | Mesh |
Item Dimensions | 7.24 x 27.52 x 29.25 inches |
Connector Type | clamp |
Finish Types | Unfinished |
Color | Black,White |
S**Y
Very happy with the 22inch bass drum head!
I installed the 22inch db one bass drum head on the batter side of the 22x18 Gretsch Bass drum. I was looking for a quieter sound from my drum, because my house isn’t very far apart from my neighbors house, and I didn’t want them to hear the boomy low end sound from the bass drum, because low frequencies travel quite far. I also got remo silent stroke heads for my 3 rack toms, and DB one for my 2 floor toms and the bass drum, and regular DB zero for my snare.The Db one bass drum head has good rebound, and the patch on the center gives it some punchy sound that I want, and also protects the head from fraying overtime from the beaters hitting it.Very happy with these drum heads, and quality seems very good, but one thing I want to point out is the color. I wish Evans made white DB drum heads like Remo silent stoke.
M**9
Good feel
Much better feel than the REMO ones and better sound than the Zero db option.
A**E
great for if you’re a hard hitter
low volume snare head that honestly sounds pretty similar to a regular snare. big fan of the black look. Lasted me about 8 months before i started noticing the little strips breaking
A**.
Sounds good, better response than alternatives, and hold up well
Yes- these are GREAT for practice, great response. Ez tuning. I'm running them on a set of aluminum Trick drums. Sound great, tone wise. They hold up well, too. No ludicrous bounce like you might have experienced with other low volume head options. These respond more like regular tom heads - for the most part. Still a bit of excess rebound, but again, far less than other alternatives.Late night practice sessions are now allowed...I will say, the DB-1 snare head is still a bit loud, though. If too loud, throw the snares off and muffle with towel (over the head or in the practice snare).
A**R
My mistake. Not loud enough
Although I use these on electronic drums set with a standard stadium while playing gospel they seem to work really good. However I purchased one for my snare drum and trying to tone down the sound to muffle and they just weren't loud enough not even to pick up on the recording. Good head good company. If you're going to be playing like gospel or in a closed area or an area where you need to keep the noise down this is an excellent head
F**.
Great low volume option
I purchased a set of the DB1 silent heads. I got the 10, 12, 14 Tom pack. The heads are very nice and produce a nice tone at a reduced volume. I am really enjoying them. I will note one observation, because the center patch and foam rings are the same size on each head, I feel the ‘tone’ was more ‘pronounced’ in the smaller heads. I think it would be beneficial if the foam ring and center patch size increased in relationship to the head size and think this would provide a more consistent ‘tone enhancement’ between the head sizes.
G**.
Overhyped and Overpriced
Marketing is a powerful force. The short of my review is $400 with tax is way more than this cymbal pack is worth. Somewhere between $150-200 feels better.I've been experimenting with a hybrid kit for at-home recording use. I've decided to avoid trigger cymbals, record the whole kit with overheads, and supplement the mesh-headed shell notes with sound replacing the hits via piezo contact mics and software like Trigger 2. So tone within a reduced volume parameter is what I'm looking for.I've owned low volume cymbals from 5 different manufacturers, Zildjian L80s, Sabian Quiet Tones, Aegean Natural R, Evans D Bones, and Chinese knockoffs of the Sabian Quiet Tones with no badges on them.Overall, I'd recommend the Chinese knockoffs the most as they are the cheapest and essentially perform the same. The knockoffs I got were exactly the same as the Sabians, which cost like 5x more. Basically, if it looks the same, it is all coming from the same factory and they are putting different badges on them to sell at different price points depending on how much clout that brand has with consumers.Evans D Bones plusses and minuses:+ It's cool that an outfit making low volume cymbals finally made hi-hats where the bottom is heavier than the top (like with full-volume cymbals). The bottom hat also has a different pattern (how that affects sound I couldn't really tell- the Evans hats are by far the worst item in the pack. They are loud and clangy and awful.+ on the other hand the hats can also be used as smaller crashes, but they suffer from the ugly tone issues the crashes have (see below)+ if money is not an issue pairing an Evans D Bone as the bottom hat with a Zildjian L80 on the top is way, way better.+ the ride was my favorite element. It's dry and pingy, which is how I like it. In the real cymbal world my fave ride is my 20" unlathed Earth Ride-/+ the Evans crashes are just ok. They have some good tone, but they, like all the other pieces in this kit, have a nasty, dirty, low undertone that becomes present once the initial better crash tone dissipates. The response on the Evans is not great either. Again, if these were $50 crashes, much more recommendable- Evans is getting too bold with their price ask. This same pack was more robust and much cheaper a year or two ago. People are falling for the marketing and the price is going up and value down.Sabian Quiet Tones and/or Chinese knockoffs (they are the same product) plus and minus list:+ the response on these is the best. I hit them and they respond the best. Most lively. This is good for recording.+/- The silver stainless steel cymbals are the brightest in tone. The attack, sustain and decay are uniform in tonality. On the other hand these are the harshest in terms of sounding tinny, but overall they are the most like real cymbals. My intention is to EQ out harshness later in mixing.+ the ride is defined but also has a good amount of wash to it. I like it but I like it better with one piece of tape on the bow to better control this.- hats are a little too harsh so what I do is I pair a Zildjian L80 on top with a silver 14" on the bottom. Way better.+ these are the cheapest!!Zildjian L80 plusses and minuses:+ for sure the quietest pack I've tried. The cymbals are so quiet that stick noise starts to be unusually noticeable. Note you can make any cymbal, low volume or full volume, totally dead (still stick noise) by getting a roll of Lusata 2" elastic fabric and making DIY rings to go around the cymbal bow. I made my own trigger cymbals this way and they worked fine.- / + Since the Zildjians are so quiet, the tone is nothing special. It's just a serviceable noise that isn't awful but I wouldn't want to record.+ the hi-hats are likely the best piece. They kind of sound like more static tambourine sizzles overall, from the chick to the stick notes.- the ride is the worst piece. Too washy for me and the distinct notes are more stick noise than tone. Again, the quietest+ the ride works way better as a crash IMO+ I have a 13" Zildjian hat, too, that I pair with the 12" piece that came in my silver knockoff set, and I use it as a loose, permanently closed aux hat and it's cool!- the finish wears off. I've never seen this on a regular cymbal, so it leads me to believe there's some wool being pulled over people's eyes in terms of what these cymbals really are.- the asking price on these is stupid. Half of this is because most drummers seem to not be able to name any manufacturers past Zildjian, Sabian, and maybe Paiste, and so the price of the products reflects the market share, not the quality. IMO the Zildjians are 2x too expensive for what you're getting, mass produced cheap metal plates with holes in them.Aegean Natural R plusses and minusses:+ slightly better tone than the others, I guess- then again, it wasn't so great that I kept them. I gave them a whirl for a day, decided they weren't as good as the marketing hype claimed they were, and returned them. I remember the ride was not dry or defined enough for me, the hats were ok at best, and the crashes were crashy but...- The price for these is like getting a pack of proper full volume cymbals, but with 65% as good tone. That seems to be missing the point to me.- Much louder than any other low volume cymbal. Again, 60% of volume and 65% of tone of full volume cymbals for full volume cymbal price... what's the point?Here's what my current at home, low volume recording setup looks like.
C**H
Perfect balance between noise reduction and playability
The rebound from the mesh heads is a little more lively than normal heads, but that's not unexpected. Small adjustments to the heads themselves and to your technique and they're easily adapted to.I don't need to use these because neighbors are close by, my nearest neighbor is quite a good distance away. I use them because my wife has started working more from home and going into the office less frequently.These do the trick. She holds conference calls on speakerphone while I'm playing and says she doesn't have any issue with it. Before I'd gotten these, it was so much of a problem, I couldn't play because it interfered with her calls. Balance has been restored!They're solidly built. I'm sure they'll last forever, but our very near to it. I would buy them again should they not.
Trustpilot
2 months ago
5 days ago